Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other media and to appropriate and dialogue with the works of these artists. This conversation, however, does not start from a solemn, pristine, or untouchable place, but from the recognition of her virtues, thus allowing her to operate, rebuild, eliminate, and retouch fragments to compose her own work. Starting from pre-existing works of hers, Seggiaro builds a kind of mimicry of the original pieces in an exercise of visual reconstruction that she uses as a structure for her production. But the works are just that, states altered by her gaze that resemble, without repeating, the original piece.