The ambitious exercise of working with techniques such as large-format embroidery only exacerbates the perfection of detail through the change of scale. What was once the page of a book is transformed to bring the dimension of the minuscule closer to the observer. This arouses curiosity and evokes primordial feelings that oscillate between existential anguish, the passage of time, life, death, intimacy and eroticism.
Geisha II, 2024
Geisha II, 2024
From the series Piranesi
Embroidery on printed fabric
Dimensions: 166 H x 100 W cm
Unique
Unframed
Tending relations between geographically distant cultures and, at the same time, stressing the temporal gap that separates them, is the meaning of Ana Seggiaro's work, based on the engravings of Alberto Dürer, Piranesi and Albinus.
For the artist, European art is the paradigm that she has built, from that training she has resignified her works, submitting them to her consideration and leaving an embroidered mark that marks a different path from the one originally created.
In the process of creation, she takes the images that interest her, investigates its history, answers questions such as what the artist wanted to say or if she simply made it by chance. The next thing is to photograph it and modify it digitally, either by adding color or removing details to create a collage. Once the final image has been decided, a print is made on fine art canvas to begin the hand embroidery process. In the last year, in addition to embroidering, she has decided to paint over the image.Ana Seggiaro was born in Buenos Aires, Argentina. Initially pictorial in nature, in its different stages, her work was exploring and incorporating new materials and media that complemented the oil and engraving that are the basis of its origin. She graduated in drawing and engraving from the Prilidiano Pueyrredón National School of Fine Arts in 1988.
