The work explores the interconnection between organic nature and circuits, reflecting the relationships between human beings. On the canvas, organic shapes are displayed that evoke biological structures, such as cells or fluids, intertwined with patterns of circuits and connections.Contrasting colors are used to represent the tension between the natural and the artificial. Areas of color flow and merge, creating a sense of movement and energy, while the geometric lines of the circuits add structure that contrasts with the softness of the organic shapes.The work not only seeks to be visually striking, but also an invitation to contemplate our place in the modern ecosystem, where the organic and the artificial coexist and intertwine.
Circuito #16 A- B. Diptych, 2019
Circuito #16 A- B (Diptych), 2019
From the Circuitos Series
Acrylic, pastel, and asphalt paint on canvas
Dimensions:
Overall size: 185 H X 90 W cm.
Individual size: 185 H X 45 W cm.
Unique
Unframed
Mix media on canvas
Signed by artist
Alec Franco was born on August 7, 1972, in Buenos Aires, Argentina, where he currently resides. He has been a graphic designer since 1995. He began painting in 1991 and in 1993 he attended the drawing and airbrushing workshops of Ignacio Otero. His training continues in the workshops of Abstract Expressionism of Marco Otero, of Essentialism with Heriberto Zorrilla and Helena Distéfano. By 2012 he deepened his technique with Sergio Bazán and later perfected it in the clinic of Fabiana Barreda and that of María Carolina Baulo who was curator of one of his latest samples Harena. He has been an editor together with other artists, writers, and designers of Hoornik Collection Art Magazine since 2016. He has made numerous samples between 2011 and 2017: at The Redchurch Gallery in Shoreditch, London in 2012-2013; Stupid perfection at the Borges Cultural Center in 2013; at the Buenos Aires Design in 2015; in the same year in the Honorable Senate of the Argentine Nation and in the Recoleta Cultural Center of Buenos Aires; the following year at the San Isidro Open Studio. The most recent: Harena, was exhibited at the Newbery Central Gallery and the Esteban Lisa Foundation in 2017.
