What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with dynamic and fleeting cycles: from the geological time of formation of those mountains, through the recurring periods of flowering and decay of plant life, to the immediate oscillation of a climate that oscillates between extremes: all stations in a day, sometimes in an hour or less. And at the same time, traces of many pasts persist in a spectral present. Ghosts. Melancholic friars wandering in the fog. Land of deities and demons.
Caballo el Palmar, Pigment Prints 2019
Caballo el Palmar, 2019
From the Series Bruma
Pigment Prints
Limited Edition.
Black and white Edition
Unframed
Miguel Winograd is a Colombian photographer. After years of graduate study in Latin American History, he completed the documentary photography program at the International Center of Photography (ICP) in New York. His personal work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. Occasionally, he prefers to make portraits of trees. His work has been exhibited in New York, Berlin, Mexico City, and Bogotá, and published in different media, including The New York Times and The New Republic.
