Through the multiplicity of paintings and materials that gather in the series "Horror Vacui II", Armando de la Garza makes us sharers in his autobiographical dissolution in which the body (real and symbolic) suffers its own "small death in parts", a dismemberment in which the symbol religious, dying body and animal remains collapse with ironic personal fetishes and high-fashion accessories in a game where the funny has fun with death. An autobiographical dissolution that although it seemed fundamental in the uniqueness of this exhibition, actually comes through different works of the artist in which constant autobiographical elements have managed to form a forceful personal narrative.
Windmill at Knokke, Caran d'ache, Acrylic on Canvas, Framed, 2014
Aland Reid
Windmill at Knokke, 2014
Caran d'ache, wood and acrylic paint on canvas in artist's frame
Dimensions:
Image size: 30 H x 25 W in.
Frame size: 31 H x 26 W x 2 D in.
Hand-signed by artist
Framed
Alan Reid (born 1976) is a contemporary American artist who lives in New York City. His gauzy, colored-pencil representational images of heiresses, bored fashionistas and aquiline beauties have been called provocatively light, with coloring as delicate as his women are elegant. The work invites reasoning, provocation, and negotiation of absurdist scenarios involving majestic women in insipid situations.
